Winter counts are physical
records that were used in conjunction
with a more extensive oral history.
Each year was named for an event
and the pictures referring to
the year names served as a reference
source that could be consulted
regarding the order of the years.
People knew the name of the
year in which other important
events occurred, and could place
these in time by referring to
the winter count.
The events used to name the
years were not necessarily the
most important things that happened
but ones that were memorable
and widely known within the
community. One of those events,
The Year the Stars Fell, was
also widely known to non-Lakota
people. The Smithsonian scholar
Garrick Mallery recognized it
as the Leonid meteor storm of
November 1833, and he used this
event to correlate the Lakota
winter counts with the Western
calendar. Much of the information
in this online exhibit is based
on his publications of 1886
and 1893 (see Learning
Resources).
Winter Count Keepers
Each Lakota band, or tiyospaye,
had a designated winter count
keeper who served as the community
historian. The keeper was responsible
for recounting the band's history
at various events throughout
the year and for adding a new
image to the winter count each
year. Events for which years
were named were selected in
consultation with a council
of band elders. Traditionally
only men served as winter count
keepers, and the role often
was passed down from one family
member to another. In the 20th
century some counts were passed
on to women. The Smithsonian
winter counts are named for
the last keeper, whenever that
is known.
Winter counts were copied over
many times as they wore out
or required more space, or when
a new keeper took over. While
many counts clearly originated
from a common source, recopying
led to differences as well.
A keeper might have chosen to
record a different event, a
different aspect of the same
event, or might have made a
mistake.
Many of the Smithsonian winter
counts are copies that their
keepers made specifically at
the request of people studying
Indian culture; they are particularly
valuable because of the explanations
that the keepers provided about
the events that they record.
This extensive information is
included here in the View the
Winter Counts section of the
online exhibit. The winter count
keeper's notes are the foundation
for interpreting the many counts
now in museums that were acquired
without any explanation, such
as the Rosebud count and the
buffalo hide copy of the Lone
Dog count that are shown here.
Pictures and Materials
For generations, Plains Indians
drew pictures to document their
experiences. The pictures on
the Lakota winter counts were
created to serve as mnemonic
devices and are much simpler
than ones they drew for other
purposes. As some Lakota people
learned to write their own language
in the 19th century, a few keepers
began to add written words to
the pictures, and eventually
some winter counts consisted
entirely of written year names.
The earliest winter counts
were painted on hides. These
records were transferred to
muslin and paper once those
materials became available.
When an outside market developed
for winter counts, Lakota people
again painted copies of their
counts on hides to satisfy the
expectations of the curio trade.
Pictorial art declined as a
form of record keeping when
literacy became widespread among
the Lakota, although many people
today see other types of recording
— making marks through written
words, art, video, and even
online exhibits — as a modern
continuation of the winter count
tradition. |